"It's my mother's engagement ring,” he told the press of the sapphire and diamond engagement heirloom. “Obviously she's not going to be around to share any of the fun and excitement of it all -- this was my way of keeping her close to it all."

During every step of their path down the aisle, Kate and William have made a point to keep Lady Diana’s memory alive. Today’s wedding was no exception. They recited their vows at the Westminster Abbey, the historic church where Diana’s memorial was held for 3 million mourners in 1997. Then, William was just a teenager, and his solemn march behind his mother’s coffin was in stark contrast to the beaming stride he took down the aisle today.

But the church itself wasn't the only reminder of Diana's parting. Bishop of London Richard Chartres, who also spoke at Diana's memorial, gave the wedding sermon. And during the musical portion of the ceremony, the first hymn sung was "Guide Me Thou, O Great Redeemer," the same song that concluded Di's funeral service and memorial service, 10 years after her death.

The focus wasn't only on Di's absence, but on the memory of her vibrant life. As Kate walked down the aisle in Alexander McQueen , every bit the breathtaking bride her mother-in-law was in 1981, she clutched a bouquet of Sweet William dotted with Lily of the Valley, a staple of Diana's wedding bouquet. And when it was time to say her vows, she again summoned Di’s independent spirit, by omitting the term “obey”. It was the one battle Diana Spencer picked when she agreed to marry Prince Charles. At the time, the break in tradition caused outrage among royal-watchers. Today it’s a testament to Di’s courage and trail-blazing choices.

Perhaps the biggest homage to Di’s legacy has been the subtle nods to lessons she taught both her immediate family and the royalty she’d forever be linked to. Diana’s tragic death, often blamed on a stalking paparazzi, may have influenced the couple and the royal court to keep their guard up with both paps and press during the wedding planning. When Di’s bridal dressmaker was announced, reporters famously rifled through the designer’s dumpsters hunting for information. Lesson learned, Kate kept her dress a secret despite pressure from media outlets and with souvenir factories at a standstill. It helped to have the firm backing of Clarence House, the royal press office, which closely guarded information in accordance to Will and Kate’s wishes. They’ve also accommodated the couple’s desire to have Diana’s favorite fashion photographer, Mario Testino, snap their engagement photo.

For Diana, whose outspoken voice was sometimes muffled by royal etiquette, fashion as a way to communicate with the public. Today, Carole, Kate's mother, stood in solidarity with her fellow mother-in-law. Her sky blue shantung dress was designed for the occasion by the house of Catherine Walker, Di's favorite designer. Walker, who died last year, designed at least 1,000 looks that defined Diana's style in her lifetime, including the black dress she was buried in.

Just skidding off of her teenage years, Diana became a figurehead the instant she said her vows. “At the age of 20 she has renounced forever spontaneity and privacy, freedom and independence, her red Mini Metro and her Chelsea apartment, past friendships and future intimacies other than those deemed appropriate for royal confidences,” a reporter wrote in the New York Times, the day after her July 29 nuptials. Both William and Kate, nearing the end of their 20s, were able to come into their own as individuals before they settle down with children, as they’re swiftly expected to do upon marriage. Their decision to wait, and to forge a 10-year bond, was no doubt a reaction to young Diana’s marital struggles which she claimed in Andrew Morton’s biography, started by “day two.”

For her wedding in 1981 Diana had little say in the guest list. But after her divorce, the people’s princess kept herself surrounded with a close-knit circle, some of them in attendance today, including dear friends Tessa Green and Elton John, who refashioned his song Candle in the Wind in her memory. John, along with over 1,000 other official guests, were asked by the couple to make charitable donations in lieu of gifts. Of all the bricks that built Diana’s legacy, her humanitarian work was a cornerstone.

India booked a place against Sri Lanka in Saturday's World Cup final after beating Pakistan by 29 runs in Mohali.

Virender Sehwag (38) hit nine fours and Sachin Tendulkar, reprieved by referral and dropped four times, looked set for his 100th international century.

He was out for 85 from 115 balls as India compiled 260-9, left-arm seamer Wahab Riaz with a career-best 5-46.

Mohammad Hafeez struck 43 and Misbah-ul-Haq made a defiant 56 but Pakistan were all out for 231 in the final over.

With tickets reportedly exchanging hands for many thousands of rupees, an estimated 28,000 packed into the Punjab Cricket Association Stadium and every possible vantage point outside the ground taken, a match of such magnitude between the fierce rivals deserved to be a classic encounter.

Misbah had played a curiously subdued innings, with his first 27 taking 52 balls, and though he hit two fours and a six in six deliveries 30 were needed from the final over and India justified their decision to field three seamers by defending a relatively modest total.

The start of the India innings after they opted to bat on a pitch showing tinges of green saw Tendulkar overshadowed by the remarkable Sehwag.

With precise clips off his legs and sweetly-struck drives, Sehwag struck five fours in an over from the wayward Umar Gul and had amassed 38 by the end of the fifth over.

But he was lbw trying to turn one from Riaz to leg and as India reached 50, Tendulkar's innings was still in its infancy with eight to his name from only 11 balls faced.

He soon demonstrated some exquisite timing as a defensive flick raced through mid-on for four, before he was given out lbw on 23 to the spin of Saeed Ajmal.

Umpire Ian Gould's decision looked perfectly correct as Tendulkar was hit playing across the line but under review the ball tracking system indicated it was turning down the leg-side sufficiently to miss the stumps, and to the great delight of the vast majority of the crowd the decision was overturned.

There was an appeal for a stumping next ball which was also rejected after a replay, while the first drop occurred with Tendulkar on 27 when Misbah-ul-Haq failed to cling on diving to his right at mid-wicket.

The India 100 came up in the 16th over but Pakistan began to slowly claw their way back, Gautam Gambhir deceived in flight by Mohammad Hafeez and stumped.

Inexplicably Younus Khan spilled a routine chance at extra-cover with Tendulkar on 45 and the opener duly completed his 95th one-day international half century by taking the aerial route safely over the cover fielders for his eighth four.

Left-armer Riaz soon brought Pakistan firmly back in the contest with wickets in successive balls to restrict India to 141-4, Virat Kohli mis-timing straight to point and Yuvraj Singh bowled first ball by a low, late-swinging full toss.

Tendulkar saw a thick edge brush the gloves of Kamran when on 70 to the exasperation of the ever demonstrative Afridi, who went wicketless for the first time in the tournament.

Then on 81 Umar Akmal spurned another opportunity, parrying the chance at mid-on in the style of a goalkeeper pushing the ball over the crossbar, with spinner Hafeez making a few choice observations on the error.

But 15 short of the landmark Tendulkar drove to extra-cover where Afridi made no mistake, and the run-rate soon dropped below five for the first time since the end of the second over.

Dhoni has now gone 13 innings without an ODI fifty and his sedentary 25 from 42 balls bore no resemblance to Sehwag's innings apart from the manner of dismissal, an attempted turn to leg off left-armer Riaz.

Three fours were taken in an over from Gul, whose eight overs cost 69, but Pakistan would surely have expected their required rate to be substantially more than 5.20.

Understandably their openers were not able to match Sehwag's rate of scoring but they utilised the fast outfield and had three boundaries apiece after seven overs before Kamran cut to point.

The crowd had been subdued by Pakistan's assured start but they were revived when Hafeez attempted a reckless 'Dilscoop,' trying to work to leg from well wide of off-stump and feathering a catch to wicketkeeper Dhoni.

Almost seven overs had elapsed without a boundary when Asad Shafiq, having calmly accumulated 30, lost his middle stump trying to cut Yuvraj slow left-armers and with the rate rising above six the match was in the melting pot.

Younus survived a missed stumping in Yuvraj's next over but three balls later drove tamely to extra-cover.

Timing began to look difficult on the slow surface under the numerous low floodlights dotted around the ground but Umar hit a four over cover and a pull for six off Yuvraj, the first boundaries for 12 overs, to reduce the requirement to 131 from 20 overs.

A six over the sightscreen from Umar saw the crowd go quiet again but from the first ball after the drinks break Harbhajan Singh struck a key blow with a quicker ball from around the wicket that straightened and breached his defences.

Dangerman Abdul Razzaq was dismissed cheaply by a cutter from Munaf Patel and though Afridi made a quickfire 19 to leave 77 needed from 50, he sliced a Harbhajan full toss to cover.

Misbah's brief late burst of hitting proved in vain and now attention turns to an enticing final in Mumbai, which will feature Tendulkar on his home ground seeking to record that 100th hundred against Sri Lanka's own talisman, Muttiah Muralitharan.

source:http://news.bbc.co.uk